Aamir Khan doesn’t make as many movies as his fellow superstar Khans, but the ones he does make, at least over the past decade, are box office magic. Nine of his last ten films have been enormous global hits. His last three—the aforementioned Dhoom 3, PK, and Dangal—have each successively redefined the very definition of what is financially possible for an Indian movie. His pictures are not just commercial successes, they’re also critical darlings, thoughtful humanistic ruminations on important social issues, that also happen to be great fun.
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